Casey at the mound

I don’t know if anyone has researched the origin of the television marathon, but the first time I became aware of such a thing was probably the holiday bingeathon of The Twilight Zone. If I remember correctly, it was WPIX in New York that would fill a day’s programming — New Year’s Day, maybe 4th of July — with nothing but episodes of Rod Serling’s sci-fi tales.

But it wasn’t until I was browsing through the new offerings from Ebbets Field Flannels one day a few years ago that I learned of a baseball-themed episode called “The Mighty Casey.” Ebbets had created a replica jersey for the Hoboken Zephyrs, a team from New Jersey I’d never heard of. It only took a quick search of the name to discover the origin of the name and why I hadn’t known about this team.

The 35th episode of Season 1 of The Twilight Zone, “The Mighty Casey” aired on June 17, 1960, the day Ted Williams became the fourth player to hit 500 home runs, reaching the milestone in a 3-1 win at Cleveland’s Municipal Stadium. The episode was news to me, so I sought it out to watch. With the story airing again today at 3:30 p.m. ET as part of Syfy’s New Year’s marathon, I figured now’s as good a time as any to delve into the show.

Serling’s introductory voice-over tells us we’re looking at a ghost: The former ballpark where the Hoboken Zephyrs of the National League played. But when we catch a glimpse of the tower behind home plate, it’s clear this is Los Angeles’ Wrigley Field, once again the scene for a Hollywood production.

The Zephyrs are abysmal, sitting in last place, 31 games out, and are holding a tryout for new recruits. Guiding this sad sack of players is “Mouth” McGarry, played by a then-40-year-old Jack Warden, a Newark-born gent you might remember as the kind neighbor to the Callahan family in “While You Were Sleeping.” This was Warden’s second Twilight Zone episode, after “The Lonely,” the seventh installment of the show’s first season. Also among Warden’s long list of credits is the 1979-80 TV series The Bad News Bears, in which he played Morris Buttermaker.

Along comes Dr. Stillman, who presents Casey, a lanky left-handed pitcher who comes walking through the dugout, cap and glove in hand and a quiet, quirky expression on his face. When he stops in his tracks and turns to follow the path of a foul ball until it bounces off his head, it’s immediately clear that he’s a little odd. Unfazed, he continues along to Dr. Stillman and McGarry, whose hand he crushes in a vice-grip of a handshake.

A 30-year-old Robert Sorrells plays Casey in his fourth role. His career would include roles in TV’s Route 66 and The Fugitive (like Warden) and movies such as The Bad News Bears Go To Japan and Fletch.

Casey takes the mound to warm up and Dr. Stillman, answering McGarry’s questions about Casey’s background, reveals he’s a robot, built three weeks ago but with the body of a 22-year-old. When one of the warm-up pitches sounds like a jet engine, Dr. Stillman explains, “That’s his fastball.” McGarry’s eyes widen and the catcher comes out from behind the plate and looks at his mitt, smoke coming from the webbing. A looping slide whistle accompanies the next pitch. “That’s his curve,” Dr. Stillman says. Another slide whistle, this time a steady drop in tone, signifies his “slow ball.”

After stepping behind the catcher to get a closer look at the fastball and slow ball, McGarry decides he can work with Casey, as raw as he is — but no mention of his being a robot, he tells Dr. Stillman.

Before Casey’s first game, McGarry tries to reasurre his new pitcher by telling him not to be nervous — a foreign concept to the robot left-hander.

“You know, nervous,” McGarry says. “Like it’s two out in the ninth, you’re one up and Joe DiMaggio comes to the plate looking intent.”

“Well, that wouldn’t make me nervous,” Casey responds. “I don’t know anyone named Joe DiMaggio.”

“Oh yeah,” McGarry answers. “Oh yeah, I forgot about that.”

When the show aired, DiMaggio had been retired for nine years and in the Hall of Fame for five.

Casey takes the mound for his first game, against the New York Giants, and Dr. Stillman explains that in order to prove Casey’s ability as a “super man,” he had to have him pitch for “absolutely the worst ball team I could find.” McGarry shakes his head.

After Casey’s splendid debut, the timeline jumps ahead through the time-honored tradition of newspaper headlines superimposed over background baseball scenes:


To put those accomplishments into perspective, the three shutouts (assuming they were his first three starts) would have tied the Major League record to open a career, accomplished only once, by the Boston Braves’ Art Nehf in his first three starts in 1915. Eighteen strikeouts in a game would have also tied the record at the time, held by Bob Feller (done in 1938), Warren Spahn (1952) and Sandy Koufax (Aug. 31, 1959, less than a year before the episode premiered). Hoboken’s rise from last place, 21 games out of fourth (as the general manager, Beasley, laid out in an earlier scene), probably doesn’t have a comparison, as fantastical as it is.

But the success soon ends, when Casey gets beaned and ends up in a hospital bed. The general manager, Dr. Stillman and McGarry surround the team doctor as he examines the robot pitcher, only to find “no fracture, no concussion, reflexes seem normal. I think you’re going to be alright, Casey.” But the doctor’s concern grows when he tries to find Casey’s pulse — and hears silence, of course. McGarry steps in, but too late. He has no choice but to come clean to the GM, but before he can, Dr. Stillman reveals the secret to the team doctor, who says he must inform the commissioner.

“Article 6, Section 2, The Baseball Code,” the commissioner reads. “I quote: ‘Teams shall consist of nine men.’ End of quote. Men, understand? Not robots! He’s suspended! That’s my final decision!” As McGarry and Beasley object, the commissioner stands firm: “How could he be human without a heart? He doesn’t have a heart, that means he isn’t human. That’s a clear violation of The Baseball Code. Therefore, he doesn’t play.”

Sound logic, clearly. It’s unclear if the new Collective Bargaining Agreement includes this “Human Clause.”

But when Dr. Stillman offers to give Casey a heart, the commissioner relents. “If he were to be given a heart,” he asks the doctor, “would you classify him as a — well, what I mean is, would you call him a -”

“He had me fooled, even without one,” the team doctor interjects.

“Alright, alright,” the commissioner says, turning to Beasley. “With a heart, I’ll give him a temporary OK until the league meeting in October. Then we’ll have to take it up. All the other teams are going to scream bloody murder. I can just hear Durocher now.”

At the time, Leo Durocher was five years removed from being the manager of the Giants and still six years away from taking over the Cubs. He must’ve spent those interim years in The Twilight Zone.

McGarry and Beasley celebrate: “Casey gets a heart and accreditation as being a human,” Beasley exults, “and the Hoboken Zephyrs — take it, Mouthy …”

“The Hoboken Zephyrs win the pennant for the first time in 23 years,” McGarry says.

Cut to the clubhouse, where a worried McGarry waits for Beasley to get off the phone with news of the operation. But Dr. Stillman is unavailable. McGarry is left to put together a lineup without Casey, and he tries to fire up his team with a “Win one for the Gipper”-like speech:

“Now listen, you guys. That’s the enemy out there. That’s the New York GIants. And while you’re out there playing today, I want you to remember that there’s a big fella named Casey lying on a table, struggling for his life. And I know that the last thing that he said just before that knife went into his chest. He said, ‘Go out there, Zephyrs, and win this one for the big guy.’ — Pull yourself together, Monk. — And I’ll tell you something else, you guys. From now on, there’s going to be a ghost in the dugout. No. 7. Ol’ No. 7.”

At this point, Casey walks in wearing a suit, Dr. Stillman following, but McGarry doesn’t notice.

“So just before you go to bat, I want you to look over to where he used to sit. ‘Cause he’s gonna be there. He’s gona be there in spirit. And he’s going to be yelling for us and rooting for us and screaming: ‘Go Zephyrs! Go! Go! Go!'”

McGarry sees Casey, but it doesn’t register.

“Hiya, Casey,” he says, then turns back to the team.

“And I tell you something else about the big guy. He has got a heart.” He pauses, then turns to Casey again. “CASEY!” The team realizes he’s there now, too, and jumps up to welcome him back with handshakes. Casey opens his suit jacket and invites McGarry to hear his ticking heart.

Casey is also beaming, something we hadn’t seen from him before. “Look at his smile,” Dr. Stillman says. “That’s the one thing I couldn’t get him to do.”

“It’s wonderful, just wonderful,” Casey says. “I feel like … togetherness.”

McGarry sends his team out to the field and hands Casey his jersey. “Here ya are, Seven. Go suit up.”

The smile was a harbinger, though. Casey winds up, maintaining his grin, and a big right-handed hitter for the visiting team deposits the pitch over the left-field wall. Casey smiles, turns toward his dugout, and raises his gloved hand to wave. More pitches, more runs, Casey smiling the whole time.

After the game, McGarry enters the clubhouse, where a suited Casey and Dr. Stillman wait.

“Alright,” the skipper says. “Alright, I’ll listen. I’m a reasonable man, I’ll listen to anything. As you well know, Doc. But maybe you can tell me how one minute he can look like three Bob Fellers, and the next like a tanker with nothing. Or maybe you can explain, Casey, how you can pitch nine balls and allow four singles, two doubles, two triples and a home run.”

Feller had been retired for four years, last pitching in ’56, but was still two years away from induction to the Hall of Fame.

“The thing is, Mr. McGarry, I just couldn’t strike those poor fellas out,” Casey says. “I didn’t have it in me to do that, to hurt their feelings. I felt compassion.”

“Give a man a heart, Mr. McGarry,” Dr. Stillman says, “particularly someone like Casey, who hasn’t been around long enough to understand competitiveness or drive or ego, and that’s what happens.”

“I’m sorry, Mr. McGarry, I just can’t hurt fellas’ careers. Dr. Stillman thinks I should go into social work. I want to help people.”

And with that, the greatest pitcher in Hoboken Zephyrs history walks out of the clubhouse. Dr. Stillman leaves McGarry with Casey’s blueprints, hoping to cheer up the old skipper. McGarry sees something he likes and runs after Stillman, catching up with him on the infield as Serling’s voiceover returns.

“Once upon a time, there was a Major League Baseball team called the Hoboken Zephyrs, who during the last year of their existence wound up in last place and shortly thereafter wound up in oblivion. There’s a rumor, unsubstantiated of course, that a manager named McGarry took them to the West Coast and wound up with several pennants and a couple of world’s champoinshpis. This team had a pitching staff that made history. Of course, none of them smiled very much, but it happens to be a fact that they pitched like nothing human. and if you’re interested as to where these gentlemen came form, you might check under B for ‘Baseball’ … in The Twilight Zone.”

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